Hadn’t been to life drawing class in over a month and now with my “foot in a sling” there are no nudes – other than Freddie – in my immediate future. These are the last few quickies.
Here are 10-minute sketches that are “printable”.
There were no art classes – because of the holiday – for over a week. For some unexplained reason I began to wonder why I was taking drawing classes. Previous to retirement the only “extra-curricular” activities I did had a purpose – professional enrichment, teaching others, meeting requirements etc. I have no desire (we won’t talk about talent) to exhibit or sell nude drawings . . . For some reason, simply seeking personal enjoyment seemed strange at best and hollow at worst.
I’m still not sure why my disquiet and only share it wondering if you, too, have questioned just doing something simply for self-enjoyment?
As a psychotherapist I knew that one of the biggest pitfalls of all relationships* was “seeing” others through the clouded lens of our own eyes. We humans tend to think everyone feels as we do and should understand what we know. It’s hard to take someone else’s position because we live in the bubble of our unique experiences and interpretations. In psychological terms it’s called projection. I was surprised to see this phenomena in artwork.
During the breaks in life drawing I noticed that many (not all) drew the model in “their own image”: Short students tended to draw the models legs too short; stocky students drew her a bit too stocky and; muscular students created muscular images.
The challenge I had as a therapist (not to mention as a human being) was to look beyond surface presentations, what I “thought” I knew and see my client’s situation/feelings/thinking not only from their perspective but within a larger framework.
Being a therapist was a gift. It forever helped me understand that perception always informs and colors my experiences, to look for larger patterns and see beyond what appears “obvious”. Most of the time I can see blessings behind every tragedy, and opportunities created with every mistake & mis-step.
Drawing, too, is about perspective. This session the class was so crowded I had to sit closer to the model stand than usual. It forced me to draw what my eye actually saw rather than what I thought I saw. For example, In the first drawing the foot (or my outline of the foot) is as long as his head – simply because his foot was closer to me.
Bet you can tell what was eye-level to me in this next drawing!
This last sketch was a 2 minute quick warm-up which always begins the drawing sessions to help our hands loosen up and draw what our eyes actually see not what our brains think we see.