Not too very long ago, I thought that really good artists (writers included) got it exactly right the moment they laid pencil to paper. When I write posts I spend exponentially more time editing than on the first draft. When I draw I correct and correct and correct some more.
Not too very long ago, I learned that this is what 90% of artists, writers, dancers, singers etc. do . . . adjust, correct, redo, undo . . . and it never will be perfect. It’s knowing when to stop and move on.
It’s a great metaphor for life. We keep adjusting, correcting and practicing, knowing we can’t get it perfect . . . just better.
There’s a phenomena going on in the sketching world called Urban Sketching. People, from all over the world, gather in public places and sketch whatever is in front of them .
You sketch fast, just trying to get an impression rather than an exact likeness. Coffee shops are a favorite place for Urban Sketchers because the people aren’t moving quite as quickly as on the street or a football field.
I live in the suburbs where life is a bit slower and so is the sketching. Here’s a few of my
Had a hard time concentrating and my arms were hurting when I tried to draw. I’m blaming it on the rain . . . a convenient fall-guy (pun intended). When my drawings don’t turn out as well as I would like I usually blame it on the model.
You can see some of the structure lines & corrections in these 2 minute sketches.
The model held onto a rope in the poses. We were suppose to concentrate on the angles.
These below were 20 minute poses but I could only draw for about 10 minutes.
Usually, I use large drawing paper and stand at an easel. This session I drew on a smaller sketch pad and sat down. I figured if the model could sit
During the break in the life-drawing class a few of us talked to the model. She said most people had no idea what life drawing was and believed that nude modeling was akin to porn! When asked what she did for a living her answer was “posing for people who were learning anatomy”.
First, It never occurred to me that most people weren’t familiar with life drawing. Second, her answer made sense. When drawing a nude model students are intensely focused on the anatomy, the line & shading that emphasizes or de-emphasizes the muscle structure, the curve of the spine and the “personality” of the pose – not on nudity.
It’s a bit like reading an engrossing story. Your focus is on the plot line, the images created, the messages conveyed, not whether the” book” is hard-covered, paperback or on a tablet.
I was pleased with this sketch as it catches the likeness of the model.
Wasn’t so pleased with this sketch so I took out colored crayons and just scribbled. Still not pleased but it was fun!
New model – not an ounce of body fat on the boy. The majority of students are well into their 60’s. I made note of how many of the women asked him to return to model ! . . I myself prefer the models with a bit of ballast around their belly. Gives me more room for error.
This class I ventured out of my comfort zone, put away eraser and went for it with permanent ink and no preliminary sketch in pencil.
Notice the box? I keep trying to draw within the box so the figure doesn’t run off the page. Here’s my result!
My friend Peggy and I are working on a new project to share our stash of therapeutic strategies, tips and tricks on the internet. In my exuberance, “playing” with settings for the new web-site, I mistakenly changed the theme setting for this blog . . . and can’t figure out how to change it back again . So Curious to the Max has a new look, in case you didn’t notice.
And in case you didn’t notice we had a new model in class. All these sketches were 15 minutes done with water-color pencil.
There are two “fronts” and two “backs” (She was sitting on a poofy cushion).
AND in case you don’t see the connection between my blog change and my sketches: Clicking a button on the computer and irreversibly changing the blog template is like drawing with water-color pencil. I can’t erase or correct either of them.
(Well, not actually “worser” but I try to avoid trite phrases like “bigger and better”.)
In case you’ve not noticed . . . my drawings all go off the page. I don’t mind the aesthetics of that but I want to be able to do it “by design”. I try framing, measuring, planning . . . as the drawing progresses the limbs or head (or both) end up off of the paper.
The life drawing teacher suggested I get a BIG board to work on a BIG piece of paper to get the entire torso on the page. So much for bigger . . .
(Showing my hand on the paper to give you a sense of the scale).
Since my “vertigo episode” I’ve been in a fibromyalgia flare-up, complete with exhaustion. Today I peeled myself out of bed, put on my best duds and went to class to draw a dude. Can you guess which one is me?
After spending 3 hours drawing a nude dude this is what I looked like . . .
Many, if not most, of my posts over the years have regaled you, my loyal readers, with bits of what I find interesting and curious. (ex. Two of my all time most viewed and informative posts were about Butterfly fish and the Singles Scene and Stoned Fish.)
Since I’ve been taking life drawing classes there are not many articles that go along with drawings of nudes that meet the G-rating of my blog.
In class the teacher has been talking about the skeleton of the body and today I found a very interesting article about a discovery of a new species of dinosaur in Australia that is in keeping with this instructional focus!!!!
“Paleontologists have discovered a new species of dinosaur in Australia. The wide-hipped, long-necked, four-legged plant-eater was about half the length of a basketball court, and its shoulders stood as high as the hoop.”
This model was a slim-hipped, long-necked, two-legged vegetarian who was the full length of my paper and her shoulders alternately drooped and stood high, depending on the pose.
“Savannasaurus skeleton is one of the most complete sauropods to be discovered in Australia. Based on its skeleton, it was probably about 50 feet long, with a long neck and a wide, round body — weighing in at 40,000 pounds, as much as three African elephants combined. Dinosaur fossils in Australia are exceedingly rare, and this discovery could help scientists understand how these massive creatures spread across the planet millions of years ago.“
. . . that would take one humongous piece of paper to draw it . . .
Ten days into walking like a drunken sailor without the drink or the sailing. My husband drove me to art class. It was nice to get out of the house. The vertigo is much better but I’m still a bit wobbly.
At first, looking back and forth from the model to the drawing pad was a bit disorienting and I was very tired after class – probably because my brain was working hard to compensate.
The focus for this session was using brown wrapping paper, black and white charcoal.
“If anybody wants me to say it, in one sentence, what my plays are about: They’re about the nature of identity. Who we are, how we permit ourselves to be viewed, how we permit ourselves to view ourselves, how we practice identity or lack of identity.” Edward Albee
Most of the models in the life drawing classes have been posing for a long time. They come equipped with props and pillows and strike dramatic poses that I defy anyone in “real” life to take . . . unless you’re an exotic dancer.
The young man, VERY young man, who was the model in the last two life drawing classes had never modeled before. He appeared to be shy and very unsure of himself.The first session he posed stiffly.
This second session he began to soften, wrapping his arms around himself as if to create a bit of comfort or perhaps protection. It may also have been that it was cold in the room . . . even for those of us wearing clothes.
Art teachers explain that drawing isn’t about what the hand is doing it’s about training our eye to see what it actually sees rather than the internal image of what we THINK we see.
Right now my drawings are about trying to learn to view shapes and shadows, lines and limbs . . . and hopefully have my hands follow. Someday, it would be nice to say the same thing Edward Albee said . . . that my drawings are about the nature of identity.
Sara Blakely’s embrace of failure has helped make her the youngest self-made female billionaire in America.She invented Spanx (body-shaping undergarments – the modern version of the corset and girdle).
When she was growing up, her father would often ask her the same question at dinnertime.
“What have you failed at this week?”
I was AGHAST – failure!? What a horrible father. Everyone knows we are supposed to focus on and revel in success.She went on to say:
“My dad growing up encouraged me and my brother to fail. The gift he was giving me is that failure is (when you are) not trying versus the outcome. It’s really allowed me to be much freer in trying things and spreading my wings in life.”
What a novel idea! Embrace failure as a sign of taking risks, learning and growing. Failure is a victory not a defeat.
“The fact that I had never taken a business class, had no training, didn’t know how retail worked,” she said. “I wasn’t as intimidated as I should have been.”
I read herinterview just before my life drawing class. It was liberating!! I gave myself permission to fail at trying to draw perfect likeness, perfect proportions, perfect shading.
My new motto: Fail Away!
. . . it’s never too late to become the oldest self-made billionaire in the United States.
New semester for art classes just started. Here are my best sketches (you didn’t think I’d post my worst, did you?). I particularly am pleased with the first as I managed to catch the likeness of the model.
Been doing and redoing drawings to amuse myself. These were originally quick sketches from life drawing. I “colorized” them trying to teach myself how to use pastel. It’s easier to practice on sketches I was going to throw away because there’s nothing to lose!!