As a psychotherapist I knew that one of the biggest pitfalls of all relationships* was “seeing” others through the clouded lens of our own eyes. We humans tend to think everyone feels as we do and should understand what we know. It’s hard to take someone else’s position because we live in the bubble of our unique experiences and interpretations. In psychological terms it’s called projection. I was surprised to see this phenomena in artwork.
During the breaks in life drawing I noticed that many (not all) drew the model in “their own image”: Short students tended to draw the models legs too short; stocky students drew her a bit too stocky and; muscular students created muscular images.
Although all art, whether dancing, singing, painting etc. is ultimately a “projection” of the artist I’m wondering if what sets apart renowned artists from amateurs is a true reflection of the artist rather than an “accurate” rendition of the subject?
Charcoal, 20 minute sketch
Conte Crayon, 20 minute sketch
Each sketch, 20 minutes
To read about the pitfalls of relationships click here:
Mervin the Mole Rat sez: “Her art is a projection of wishful thinking . . .”
If you’ve followed Curious to the Max for a long time you know I’ve periodically participated in blog-challenges. Having a chronic condition like fibromyalgia sometimes derails me so I talked Peggy Arndt, my co-blogger from CATNIPblog , into participating with me in Inktober.
INKTOBER: 31 Days, 31 drawings, based on pre-set prompts.
Peggy & I have been doing ink sketches for CATNIPblog so here’s da plan:
I’ll post a drawing a day (we are a few days behind) on Curious to the Max with a once-a-week-retrospective on CATNIPblog for those of you who just want to click- off the dailies!
October 1, SWIFT prompt, Meowie Rides Again
Oct 2, Divided prompt, Woofer & Meowie
Tomorrow, I’ll post more “catch-ups”.
If you want to participate too, send us your ink sketches and we’ll post them with ours! Here’s the information:
The last class for this semester – I continued to play with water-color pencil.
I tend to draw the heads too small . . . or . . . another way of “looking at it” . . . I make the bodies too big. Then again, he is a big guy.
The uneven jaw line is reflective of his beard and mustache.
Bob Blobfish sez: ” Until art classes start again she can practice drawing larger heads by drawing me in the nude”
If you are an art buff or interested in the psychology of nudes read this article Why The Nude Still Shocks. Not only is it interesting it underscores my past reluctance to put up the sketches of men as opposed to women. (see Equal Opportunity Nudes)
The model this week was male but he was wearing this warrior “get-up” that the men in the class seemed to enjoy drawing , . . must be a testosterone “thing”. I say “TAKE IT OFF!”
Take a peek at the entire class from the beginning 2 minute sketches to the 20 minute poses.
Charcoal, 2 minute poses
Tried water-color pencil for the first time. Discovered it doesn’t ERASE so the first go over needs to be very light.
This model was great. She was more voluptuous than most and I didn’t have to draw muscles!
Water-color pencil. Ended up with 4 breast because I couldn’t erase!
In the sketch below I used an old piece of cardboard backing. If you look you can see the water stains from years past.
Water-color pencil on cardboard
For the last pose the model put clothes on . . . probably because I couldn’t get her breasts symmetrical!
Water-color pencil on water-color paper
I may take these drawings and experiment some more with the water-color.
“I think she’s experimented enough already . . .”